Fingers Flaherty wasn’t the first disgruntled lover to sing the blues!
People have been battling with the blues – or the “blue devils” as they once were known – ever since they started falling in love with each other back in those dark caves. They discovered that fire could keep away the prehistoric chill. And love could warm the prehistoric heart.
Time and time again, Saturday night’s raucous parties have given way to Sunday morning’s aching regrets. An intoxicating haze burns away in the harsh clarity of bloodshot eyes. And a heart that tingled with the promise of forbidden moonlit love is left battered and alone on the dusty floor as the unforgiving sun rises.
In the corner, a melancholy guitar waits.
People have been battling with the blues – or the “blue devils” as they once were known – ever since they started falling in love with each other back in those dark caves.
Blues songs began to emerge from the dark night during the early years of the twentieth century. The form had been evolving orally for many years, but now damaged souls were being laid bare on sheet music. In 1908, “I Got the Blues” introduced this new genre to a wider audience. And in 1920, one of the first blues songs was recorded when Mamie Smith sang “Crazy Blues”.
Born in 1883, Smith was a dancer and vaudeville actress. In 1920, she recorded her first songs with her Jazz Hounds, going on to record many songs during the 1920s.
“Crazy Blues” was the first commercially released blues record, and would sell 75,000 copies within a month. The song clearly struck a dark chord with people at the dawning of the Jazz Age.
The song opens with a familiar late-night blues scenario: insomnia and a lovelorn heart. The physical unrest mirrors the mental disturbance:
I can’t sleep at night,
I can’t eat a bite,
‘Cause the man I love
He don’t treat me right.
A common theme in blues music is that sense of overwhelming sadness as the lover tries (and usually fails) to come to terms with heartache. Left alone, the singer feels almost paralysed by despair:
He makes me feel so blue,
I don’t know what to do.
Sometime I sit and sigh
And then begin to cry.
Lost in her sadness, the singer feels the world outside merrily pass her by, indifferent to her plight. Everything else moves on, leaving her behind with her memories.
There’s a change in the ocean,
Change in the deep blue sea, my baby.
I’ll tell you, folks, there ain’t no change in me.
My love for that man will always be.
Although not the most uplifting of genres, the blues often does have a hint of gallows humour and comic surrealism. In this song, the singer’s sad plight arouses concern in others, but she dismisses their help. She believes she beyond all healing.
Now the doctor’s gonna do all that he can
But what you’re gonna need is an undertaker man.
Although “Crazy Blues” doesn’t follow the familiar AAB structure of most blues songs, its themes of lovesick despair and loneliness would be picked up and elaborated on (sometimes to gleeful extremes) by countless blues singers over the following decades. Like Mamie Smith, these singers would report “nothin’ but bad news”.
Out now: Talkin’ Squirrel Blues